An Essay on “Less than Zero”

Life is ever-ever-changing, ever-moving in the dormant world of todays youth.This concept came to mind when I was reading Bret Easton Ellis invigorated less(prenominal) Than slide fastener. It is a restrain that speaks of the life of young people in the society these geezerhood. This essay aims to describe the elements of text editionual style, while causal agency, and the leading character of the smart.First, the causes style which employs fluidity of spacial location depict the constant quantity changing of ads, videos, scenes, programs and channels on television to which this legend resembles. It clear be observed that the report card jumps from one location to other. Indeed, reading the novel is like watching a television. solely like in this paragraph from the textAfter leaving Blair I move down to Wilshire and hence onto Santa Monica and then I drive onto Sunset and take Beverly Glen to Mulholland, and then to Sepulveda to Ventura and then I drive through wi th(predicate) Sherman Oaks to Encino and then into Tarzana and then Woodland Hills. I stop at SambosThis scene narrates the constant search of Clay, the leading character of the tosh, for a place where he can worry enjoyment and pleasure yet he al commissions ends up feeling empty-bellied and frustrated. This characterizes the youth of the 80s and of today. They do a sess of things, go to a lot of places, and meet a lot of people yet they end up with nothing.The teens in the story spend their period, gold and energy in worthless activities much(prenominal) as drinking alcohol, sniffing cocaine, partying, and engaging in sex and more but they do not get anything worthwhile. on that point is another scene of Clay and Rip tells of the purposelessness of going from one place to another. It didnt matter if they be getting nowhere as long as they are moving.Second, the fast and quick era movement of the story illustrates that people spot and go. nobody is permanent in this w orld and time flies fast. And this is belike the reason wherefore it seems that the novel constantly talks of death. What is worse is that Clay and his friends do not regular care. Like the case of the twelve-year old lady friend who was kidnapped, gang-raped by Rip together with his friends and was run aground dead the next day. It is such as gory sight yet it seems these teenagers in the story are unaffected.It can too be observed that together with the channel of location is a change of time. much(prenominal) as these phrasesBlair picks me up from LAX nobodys home I sum up Daniel to Blairs party that nightThese scenes come after each other abruptly. There is no transition. It goes on and on.Lastly, Clays character in the story portrays the nihilistic delusion and the passivism that characterizes the youth of today. He is the thorough picture of rich kids who have parents who can give them all the money and bodily things they want except for the love and time that they need. He narrates the story with passive indifference, probably because of his being constantly stoned with cocaine. He is detached in his feelings towards his family, his girlfriend, his friends and others. He seems not to care about what is happening to them. He sees the death that comes to people and yet he is unconcerned.However, he has a craving for something deeper. In fact, thither are flash digest scenes in the story where he remembered his grandparents and aunt. He even went back to Palm Springs where he grew up and he says I guess I went there because I want to remember the way things were. This tells of a hidden part of him to get back to the good old days.In conclusion, the novel is an effective medium of presenting a picture of the younger generations life, struggles and hopes through the fluidity of spatial location, time movements and the character of Clay. Indeed, this novel Less Than Zero shows that the life of a teenager these days constantly changes and moves bec ause of nihilism, passivism and aimlessness.Works CitedEllis, Bret Easton. Less Than Zero. New York Simon & Schuster Inc. 1