Interior Monologue in Ulysses

Despite the various parallels and connections betwixt Homers Odyssey and Jockeys Ulysses, It is Jockeys determination and arrangement of his clean that sterilises it apart from Homers mythological poem. Dis convertible to Homers Odyssey, Ulysses Is set In the city of Dublin on the 16th of June 1904. For Joyce, this particular visualize held a great amount of sentimental value as it was the daylight of his outset period with his future wife thus questioning the fancy of Joyce injecting a hint of romanticism by commemorating that particular deat into a story that has been exposit as plebeian and a last of blasphemy.Ulysses develops over the space of twenty-four hours and despite the raws small time configuration the countless nonethelessts and occurrences that the partings encounter are described in-depth and often quite humorously. Jockeys main(prenominal) intentions for his novel were to make it, in his opinion, as realistic as possible, to contact a picture of Dubl in so complete that If the city cardinal day suddenly disappeared from the earth it could be reconstructed out of my have (A delineation of The Artist As A Young Man, pig. 0). To emphasis the broker of realism Joyce described the characters as visiting authencetic Dublin landmarks and establishments such(prenominal) as Dad Byres pub and a Marcello Tower In Sandstone, Dublin. It Is by dint of Jockeys element of realism, he overall structure and the binary modes of writing of his novel that suggests Ulysses is a significant conspicuous piece of modernist literature in its throw right.In Ulysses Joyce discards the traditionalist convention of maintaining a tale end-to-end the entirety of his novel by persistently introducing other styles of writing installment by issue. Joyce unendingly alters the narrator and the protagonist of the novel along with the style of how from each one chapter is write switching from a conventional story of maintaining one solitary electric ray or protagonist to swapping more or less the profound characters by and throughout several installations. Furthermore, throughout each Individual episode numerous themes are Introduced such as death. Hysterics and sexual desire. As the novel progresses and the protagonists and methods of writing change the characters accounts of what has appeared to be unremarkable terrene actions, seen in the opening episodes, become more detailed and involved as they Interact more with the Inhabitants of Dublin and their surroundings. Wealth the opening episode Telemeters it would appear that the novel is following the traditional narrative writing authorities as on first impressions what appears to be the protagonist of the novel, Stephen Deals is introduced.Stephen is a long-familiar character as he is depicted as the aging and maturing central character In Jockeys A Portrait of The Artist as a Young Man. Through the opening chapters of Ulysses It would seem to be following the co mparable chip as Jockeys previous work concerning the 1 OFF connective AT Stephen as Ulysses Tolls Stepsons every clay, Toulouse octagons sun as eating eat and shaving, He laid the brush aside and, laughing with delight Began to shaving with care, (pig. ). The narrative throughout Telemeters conventionally follows A Portrait of The Artist as a Young Man as Joyce is associating is narrative with internal monologue depicting Stephens inner voice and stream of sentience as he performs customary tasks. This is nurture reinforced in Nester where Stephen is undertaking his position as a teacher. Joyce is continuing his narrative through Stephens internal monologue except here a divers(prenominal) theme is introduced.In the previous episode the reader sees Stephen and his friend Buck Mulligan undergo their morning routine but it is in Nester where Joyce introduces a catechist style of writing through Stephen teaching his class History and English declaring that history s, a in cubus from which I am trying to awake, (pig. 27) to which the school headmaster Mr. Ideas responds, all for bad history moves towards one great goal, the manifestation of God, (pig. 7) which in conclusion refers to Stephens endless seem for a father in a religious and spiritual brain noticeably mirrored with Homers poem. Joyce remains within the inner voice consciousness that has previously been presented in the introductory episodes but it is in Calypso where the narrative is altered as an entirely different type of consciousness is presented through the character Leopold Bloom. Joyce depicts Bloom as a modernized bourgeois Odysseus veritable and adapted to enhance his twentieth century revolutionary novel.Opposing to episodes such as Telemeters and Nester and characters such as Stephen and Buck, it is in Calypso where Joyce presents the reader with a more detailed account of a particular character even going to the extent of describing his innate love for food Mr. Leopold Blo om ate with relish the inner organs of beasts and fowls. He liked thick giblets soup, nutty gizzards, a stuffed roast heart, liver slices fry with crust crumbs, fried honchos roes.Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine. (pig. 40). It is Jockeys description of Blooms excessive liking and love for food that initiates the awareness that Joyce is purposely making Blooms gluttony undeniably apparent which is the first indication that the character of Bloom is to be vulgar and discourteous which further opposes Jockeys descriptions and details illustrated in the preceding episodes.As Blooms detailed passage continues he becomes increasingly uncouth, By word and deed he candidly encouraged a nocturnal strumpet o deposit fecal and other matter in an unsanitary outhouse attached to change premises, (pig. 369). Joyce differs from his previous style of writing by shifting the studys to which his characters embrace, the respectable characteristics of Stephen observed and depicted in earlier episodes are disregarded as he introduces the character of Bloom who is described as a perverted Jew, (pig. 52) and the tell apart characters sexual nature and desire remain prominent throughout the black market of the novel, the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid floating flower, (pig. 3). Blooms narrative is similar to that of Stephens in the sense that it illustrates every day actions and events in a mundane manner yet it is Blooms account that involves complex and in-depth detail.Furthermore, it is through the altered narrative presenting Blooms consciousness opposed to that of Stephens and through the ratter vulgar connecter AT Bloom, Joyce Is addle to tackle matters en NAS not Tormenter addressed such as bodily functions and sexual desires. Despite Blooms vulgarity and his erotic thoughts and desires and the incident that he lacks the conventional heartsickness of Stephen it becomes evident that Bloom does have a high level of moral standing.When Bloom and Stephen are wandering through the streets of Bloom becomes a provisional father figure to Stephen during his search for a higher universe as Blooms description of Stephen, l know him. Hes a gentleman, a poet (pig. 393) validates the respect and admiration the two men have for each other. Additionally, when his wife Molly is revealed as an adulterer he remains congregation and loyal to their marriage. Molly Bloom is additional character Joyce uses to depict other style of narration. Her soliloquy is illustrated in genus Penelope, the final episode of Jockeys Ulysses.Dissimilar to her husband and Stephen beingness parallel to Homers mythological Greek characters, ironically Molly opposes the faithful and addicted character of Penelope supposedly her twentieth century counterpart. Throughout Jockeys novel it is Bloom that provides the main depic tion of the character of Molly through his thoughts and opinions towards her ultimately giving the reader her characterization from a male point of view, Penelope is the first encounter where Molly and Blooms relationship is viewed from her perspective.Joyce stylists Mollys indoor monologue described throughout the final eighteenth episode entirely different to those observed in the preceding episodes. Joyce composes Mollys lamentation out of eight extensive elongated sentences with barely any punctuation enabling the reader to become captivated by her intense and exasperated thoughts revealing yet some other vary from of Jockeys writing style Yes Was a Flower of the mountain yes when I specify the rose in my hair like the Andalusia girls used or shall I wear a red yes and how he kissed me under the Moorish hem in and I thought well as well him as another and then I asked him with y eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him dget to me so he could feel my breasts all perfume yes and his heart was going like half-baked and yes I said yes I will yes. (pig. 25) Jockeys style of writing in the final episode distinctively differs from other episodes in Ulysses as it offers an eagerly anticipated understanding of Mollys sentiments. During her intense dialogue she continuously alternates from one subject to another and the lack of punctuation powerfully accentuates her perception and awareness of her own character flaws. Molly constantly repeats, begins and ends with the word, yes to which Joyce describes as the female word ultimately giving a character that has not held her own narrative throughout the novel, but has been portrayed by other characters, the closing statement in Ulysses.At first glance the opening pages of Ulysses depict a false allusion of what is to succeed throughout the remaining pages of Jockeys paramount novel. Through what appears to be the in itial protagonist Stephens interior monologue illustrating his routine and monotonous every day actions whilst wandering in and around the City f Dublin in search of a divine being, abruptly changes with Jockeys sudden introduction of the character of Leopold Bloom.The central character shifts from straight-laced Stephen to the crude and comical Bloom. Jockeys adjustment to Bloom incorporates an entirely different style and mode of writing for he dives into Blooms conversational tongue Nils In-patent Ana precise ascription AT Nils credentials, social class and background. In a further change of narration Molly Bloom is appointed her own psyche episode comprised of a soliloquy presented exclusively by herself exhibiting Jockeys attitude towards womens lib and the female mind.It is through Jockeys multiple styles of writing and his modern interpretation of Homers Odyssey and the founding of realism that Ulysses is viewed as one of the greatest works of modern literature and a land mark piece of avian-garden Irish writing due to its complete subjects and incidences, specifically the descriptions of bodily functions, explicit sexual encounters and Jockeys use of profanity. The concept of Ulysses being a profound work of literature is further reinforced by Jockeys revolt against the traditional forms of narrative prose which had been the mainstream style of writing during the literary demesne throughout Jockeys era.Choosing to break free from the traditionalist narrative approach Joyce presents an sophisticated and contemporary style of writing as each episode of the fair taboo novel reveals a different account of what Joyce himself describes as everyday Irish life depicted through multiple styles. It is through his multiple styles of writing demonstrated entirely differently throughout each episode that make Ulysses surpass other works of its kind. James Jockeys A Portrait of The Artist As A Young Man, Bloom, Harold. New York Chelsea House, 1988. Ulysses, Jo yce, J. The Echo library 2009. Lecture and seminar notes have also been used.